Daniel Kondo · Author · Illustrator · Book Designer

Awards & Recognition

Books judged by their words, images & form.

Selected awards, juried selections and institutional recognition across literature, illustration and editorial design — from the BolognaRagazzi Award and Prêmio Jabuti to international illustration and design juries.

2009—2026 Recognition archive
Literature Jabuti · FNLIJ · Premios a las Letras
Image + form Bologna · AI-AP · WIA · BDA · Society

Major recognitions

Six landmarks across literature, illustration and book design.

Selected awards and juried recognitions marking different stages of a practice moving between writing, illustration, picturebooks and editorial design.

One book · recurring recognition

One wolf. Six institutions. Seven distinctions.

Between 2025 and 2026, Lobo Mau com Dor de Dente was independently recognized by juries working across literature, illustration and editorial design.

Lobo Mau com Dor de Dente, de Daniel Kondo, edição brasileira da Carambaia
Lobo Mau com Dor de Dente · Daniel Kondo · Carambaia · Brasil · 2024

2025–2026

6 independent institutions recognizing the same book

The convergence is particularly significant because the juries approach the work from different fields: literary form, illustration, editorial design, materiality and the book as a physical reading experience.

Selected books

Recognition follows the work.

Different books have been recognized for different aspects: writing, illustration, book design, experimentation, visual poetry and the relationship between narrative and physical form.

Recognition archive

2009 → 2026

Awards, distinctions, juried selections and institutional recognition in chronological order.

Source index

By institution.

Institutional sources and records documenting the principal awards and selections above.

Literature · illustration · editorial design

The book is not a container for the work. The book is the work.

Across these projects, recognition repeatedly returns to the same territory: the relationship between narrative and visual language, and the idea that format, material, sequence, typography, illustration and page-turning can themselves tell the story.