Lobo Mau com Dor de Dente
A picture book where the bite is in the page turn.
Why this book matters
Lobo Mau com Dor de Dente reimagines the Big Bad Wolf by removing almost everything that traditionally defines him. No teeth. No saliva. No snarling illustrations.
The aggression is displaced from representation to timing, rhythm, and the physical act of reading.
Instead of depicting a bite, the book becomes the bite. The joke lives in the page turn, in delay, and in reader expectation. Reading is the action.
More than a children’s book, the project operates as a pop object that treats fairy tales as shared cultural memory and graphic design as narrative engine.
Concept in one line
A fairy tale redesign where violence is executed by the book itself, not by the character.
Visual and material approach
Graphic restraint as punchline
Absence used as narrative device
Rhythm and pacing replace illustration of action
Book format treated as an active performer
The wolf never shows his teeth, but the reader still flinches.
International recognition
Communication Arts
AOI (Association of Illustrators)
AI-AP (American Illustration–American Photography)
These acknowledgements position the book within visual culture and design discourse, beyond the children’s publishing market.
Press-friendly description (short)
A minimalist picture book that turns the act of reading into a physical joke. By withholding the wolf’s defining feature, the book transfers tension to the reader’s hands, eyes, and timing. No spectacle. No moral. Just a book that knows when to bite.
Book details
Title: Lobo Mau com Dor de Dente
Author, illustrator, designer: Daniel Kondo
Publisher: Carambaia
Year: 2024
Country: Brazil
Format: Picture book / book-object
Language: Portuguese
Images
Cover
Selected spreads
Book-as-object photographs
Reading material
Full reading PDF
Excerpts available on request
About the author
Daniel Kondo is a Brazilian author, illustrator, and designer whose work often explores the intersection of graphic design, humor, and book materiality. His projects frequently treat the book as an active visual device rather than a neutral container for narrative.
Links
Official site: www.danielkondo.com
Instagram: @danielkondo_
Press contact: kondo@kondo.com.br
For editors
Additional images, captions, or a physical copy can be provided upon request. The project is available for coverage in design, books, and culture sections.